Showing posts with label Painters. Show all posts
Showing posts with label Painters. Show all posts

Thursday, July 21, 2016

Edward Arthur Walton, Glasgow Boy

A 19th century school of painting I find interesting is that of the Glasgow Boys (Wikipadia entry here, scroll down for Glasgow Boys material). One of the original Boys was Edward Arthur Walton (1860-1922), biographical information here.

The paintings he did around the mid-1880s featured a style similar to that other Glasgow Boys such as James Guthrie and George Henry, who I wrote about here and here. Later on, his style became more conventional as he turned to portraiture to earn his artistic keep.

I find his Glasgow Boys era paintings less interesting or well done than those of Guthrie or Henry. Perhaps he was paying more attention to technique than to the overall impression the paintings created.

Gallery

Brig o'Turk (The Trossachs) - 1879
A pre- Glasgow Boys landscape.

A Berwickshire Field-Worker - 1884

Joseph Crawhall - 1884
Crawhall was a fellow Glasgow Boy.

Noon-day - 1885-86

A Daydream - 1885
One of Walton's best-known paintings.

The White Flower
This is undated, but seems to have been painting while Walton was changing his style.

Miss Jane Aitkin - 1894
Here Walton is painting thinly.

Miss Aimée de Burgh (Mrs Quartermaine) - 1904
Nice depiction of character.

The Portfolio - 1905
Back to heavy brushwork.

Andrew Carnegie - 1911
Not all of his subjects were unknowns.

Monday, July 11, 2016

The Strange, Dark World of Zsolt Bodoni

Zsolt Bodoni (1975- ) is a Budapest-based painter who creates dark (usually), vaguely Surrealistic scenes combining nearly realistic drawing with nearly abstract settings. He is basically hinting at things, but includes enough detail in a painting to make viewers such as me very interested in what he has going on.

A biographical note is here. It states: "Born in Élesd, Romania in 1975, Zsolt Bodoni received his MFA from the Hungarian Academy of Fine Arts in Budapest, Hungary." I should point out that he comes from a place in northern Romania close to the eastern border of Hungary, a zone where ethnic Hungarians had lived for centuries.

Bodoni usually paints in acrylics and oil, but sometimes overpaints photographs with acrylics. Many of his paintings are large, between one or two meters on their longest side.

Gallery

Ignis Fatuus - 2011

In Bloom - 2012

Horses - 2012

Untitled - 2014
Some of Bodoni's more recent paintings are brighter.

Untitled - 2014
Another brighter, recent work.

The Room - 2012

Szent Istvan II - 2010
Saint Stephen is the name of this imaginary aircraft carrier.

Merlin - 2010
The Merlin was a World War 2 vintage V-12 aircraft motor designed and built by Rolls-Royce.

Propeller - 2010
Rear view of a Merlin with its propeller.

Stalin's Head - 2008

Stalin's Boots - 2009

Monday, June 27, 2016

David Jagger, Skilled Portrait Artist

David Jagger (1891-1958) was very good at depicting people.

Although his images were highly realistic, they very seldom crossed the line into hard-edge style. His subjects were often posed in interesting ways (aside from in many commissioned, official-appearing portraits). In general, I find his works interesting, pleasing and impressive thanks to his skill in making them.

On the other hand, Jagger's paintings are so reality-oriented that they often give no hint of a personal style. To put it another way, his personal style was so attuned to representation that, in most instances, it can be hard for a viewer to think "Aha! That's a Jagger." Exceptions are some dramatic paintings of women that might be said to have a "Jagger look."

Apparently not much is known about his life. For what it's worth, here is his Wikipedia entry. And for your amusement, you might try this link wherein an art scholar (I presume) tries without much success to fit Jagger's work into a 21st century ideological procrustean bed.

Below are examples of his work. For more examples of his commissioned portraits, link here.

Gallery

Jagger painting actress Vivien Leigh - Sept, 1941 (copyright NPG)
This shows how well Jagger could nail his subjects' appearance.

Lord Baden-Powell - 1929
According to Wikipedia, this is Jagger's most famous painting. That said, I don't consider it his best or most interesting.

HRH Queen Mary - 1930
He was able to land commissions from important people.

Charles Jagger - the artist's brother - 1917
The date by the signature looks a lot like 1914, but the clothing is more suggestive of the 1917 British army. This shows that Jagger could paint freely if he chose to do so.

Portrait of Mrs. Kate Irene Pears

Kathleen - the artist's wife
A nice, dramatic pose and many soft edges help us to focus on her face.

Sewing - the artists's wife
No date on this one either, but Kathleen looks a few years older than she did in the previous portrait. Much thin painting here. Perhaps Jagger was experimenting. Some of the paintings below might also be of Kathleen (note the eyebrows).

Lady with a Fan
I don't notice a fan, but that's the title the Internet gives me. Regardless, this is a very interestingly composed painting that looks like it dates from the mid-1930s.

Woman with a Silk Scarf - 1926
The Internet has it that it's a scarf, though to me it almost seems she's wearing what looks like a shawl, due its size. This painting is more thinly painted than most of the others shown here, revealing that Jagger could and did alter his style at times.

Woman with teacup
A dramatic expression on a face with odd features -- note the eyes and area around the mouth. The hand and cup/saucer are hard-edge, unlike the rest of the painting. Makes me wonder if these details were unfinished in spite of the artist's signature indicating completion.

Lady in Green
Yet another of those dramatic, interesting poses. Notice that Jagger places a dark background object behind the subject's head to create a central dark zone from top to bottom, contrasting with the light gray background areas.

Portrait of a Lady
Here Jagger delves deeper into hard-edge territory. The background reminds me of George Washington Lambert's 1905-10 works. The subject's face is one of the more softly-painted parts of the image.

Portrait of a woman - 1945
A sketch or study done later than the others shown here.

Thursday, June 23, 2016

Carel Willink's Imaginary Realism

Carel Willink (1900-1983) experimented with various Modernist "isms," finally settling into a version of "Magic Realism" that he called "Imaginary Realism." Essentially, everything in his paintings was done in a realistic manner, but placed in unusual circumstances, as the images below indicate. I find them strange, yet oddly appealing.

Willink's short Wikipedia entry is here and a useful chronology on a website devoted to him is here.

Besides his Imaginary Realist paintings, Willink made a good living as a portrait artist, his portraits usually featuring the hard-edge style of his other works.

Gallery

Farmhouse with tree - 1918
Painted before he assumed his signature style.

Stadsgesicht (Cityscape) - 1934

The Dirigible - 1933

Self-Portrait with Wilma van der Meulen - 1934
Wilma was his first wife. She died in 1960.

Landschap met omvergeworpen beeld - 1942

Mathilde tussen de monsters - 1966
Mathilde de Doelder was another wife -- his second according to the second link above. Some sources state that he had four wives; if so, Mathilde would be the third. A while after they divorced, she was found dead, naked in bed, a gunshot wound to the left temple and a gun held in her right hand. These last two details lead some to speculate that she was murdered.

Reclining Venus - 1975
The subject is Sylvia Quiël, Willink's last wife, some 44 years younger than he. She has devoted the time since his 1983 death to her art and his memory.

Willink painting Sylvia

Monday, June 20, 2016

The Slightly Surreal, Illustration-Like Intellectual Art of Mark Tansey

Late February, we visited The Broad, a new museum in downtown Los Angeles (background here). The collection of Eli and Edythe Broad is housed there, a collection focused on postmodern art of the period 1960-1990, if the impression it gave me is halfway correct.

I am not a fan of the kind of art. Nevertheless, I did come across a few artists and their works that interested me. One of these was Mark Tansey (b. 1949) who I was essentially unaware of. Some background regarding him can be found here, here and here.

Some examples of his work are below. All the paintings date from 1979-90, a period when he did what I consider his most interesting work.

Gallery

The Innocent Eye Test - 1981

The Occupation - 1984
1980s New York City occupied by 1914-vintage troop from Imperial Germany.

Triumph of the New York School - 1984
Allegory showing Great War clothed French artists surrendering to World War 2 garbed New York modernists.

Triumph ... key to depictions
I found this helpful graphic on the web.

Action Painting II - 1984

Forward Retreat - 1986

Forward Retreat: flipped detail
I took this photo at The Broad.  From right to left are (1) a 1917 Great War French soldier, (2) a 1914 German Great War Soldier, (3) a 1917 Great War British or American soldier, and (4) a polo player.

Constructing the Grand Canyon - 1990

A Short History of Modernist Painting - 1979-80
Another painting I saw at The Broad.  Below are some detail photos I took.

History ... detail

History ... another detail

History ... yet another detail