Walter Schofield: Structural Impressionist

Walter Elmer Schofield (1867-1944) was a Philadelphian with English roots that were deepened by his marriage to an Englishwoman. Background regarding him can be found here and here.

Regarding his training and practice, this link states: "Born in Philadelphia, Schofield attended the Pennsylvania Academy of the Fine Arts, where he studied with Thomas Anshutz, and the Académie Julian in Paris, where his teachers included William-Adolphe Bouguereau. He built lasting friendships with Ashcan School painters Robert Henri, William Glackens, and John Sloan. In 1901 he and his young family moved to England; thereafter, he spent summers in Cornwall and fall through spring in the United States." The last years of his life were spent in England, probably due to the war.

Images of Schofield paintings I found on the Internet dating from his early 40s onward strike me as being impressionistic with regard to use of color, and somewhat inconsistently at that. One image below of a painting done in his late 30s is more purely Impressionist in its colors and brushwork. From around 1910 onwards, Schofield retained a rough brushing style, but made his images more structural by adding outlining and more clearly defined color areas. The result was a solid appearance that I happen to prefer to classic Impressionism of the Monet-Passarro variety.

Gallery

Sand Dunes Near Lelant, Cornwall, England - 1905

French Village - ca. 1910

Morning Tide, Coast of Cornwall - ca. 1922

The Harbor, Sunday - ca. 1929

Village in Devon - ca. 1933

Autumn in Cornwall

Godolphin Pond in the Snow - 1940

Walter Dean Goldbeck, Who Could Have Been Really Good

The image above is called Light of New York, painted by Walter Dean Goldbeck (1882 - 1925) around 1911 for a General Electric advertisement and later used as the 1 August 1914 cover illustration for Judge magazine and later as a sheet music cover illustration. A good deal of information on it can be found here, along with a few scraps of biographical information.

Goldbeck, born in St. Louis and died at age 43 in New York City, apparently did portraiture along with commercial art and flirted with Modernism in some of his Fine Art paintings. So far, not much of his work can be found via a Google search.

The illustrations by Goldbeck that I did find varied in quality from mediocre to interestingly well-done. Too bad he died at a comparatively young age.

Gallery

From "Shogan's Daughter"

Judge cover art, 8 May 1915

"Pippins" - Puck cover art - 31 October 1914

In The Beginning: John Sloan

John Sloan (1871-1951), one of the so-called "Ashcan School" painters, began his artistic career as a newspaper illustrator in Philadelphia and continued that trade in New York City as he pursued his goal to be a painter. (Biographical information on Sloan can be found here.) Even though he eventually mostly painted, he continued to sustain himself economically by illustrating, making etchings and teaching.

When I began planning this post, I had hoped to find examples of his early newspaper work on the Internet. But the best I could manage was to find works from 1900-10 when his newspaper career was largely winding down. I previously wrote about Sloan here, dealing with an odd style he practiced late in his career.

All artists are not entirely consistent with regard to the quality of their work. Sloan strikes me as being more hit-and-miss than most -- mostly on the miss side. In fact, I find it puzzling that he is regarded as favorably as he seems to be. Some of that might be due to the fact that he was associated with a group of (better) artists active at a pivotal point in American art history. Perhaps his political views appeal to a number of art critics and scholars who therefore might be inclined to give his work the benefit of the doubt.

In any case, my take on Sloan is that some of his better work was done as a newspaper illustrator based on examples I've seen in print, but not on the Internet. For what it's worth, below are examples of Sloan's monochrome work from the 1900-10 decade along with a color illustration and one painting.

Gallery

This is from the Society of Illustrators site that includes a good discussion of Sloan as an illustrator. It's not monochrome like the ones below. Moreover, I think it's a pretty nice example of Art Nouveau illustration. In fact, although I trust the Society of Illustrators, I somehow can't quite believe Sloan actually did this.

Drawing (crayon) - 1903

"Fun, One Cent" - 1905
I find Sloan's illustrations lacking class warfare content most interesting and perhaps even better done; those others take on the feel of political cartoons.

"Memory" - etching - 1906
Sloan and his wife Dolly at at the right.

"Sleepwalker and Hypnotist" - magazine illustration? - 1903
Looks like he dashed this one off.

Election Night - 1907
A sketch of a painting, though one of his better ones from around the same time as the illustration above.

Ambrose McEvoy: Loosely-Painted Portraits

Ambrose McEvoy (1878-1927) was an English painter who usually painted loosely in a sort of Post-Impressionist manner. However, he could tighten things up when called to do formal portraits of military officers and politicians.

It seems that McEvoy was well-known and respected in his comparatively short day (he died aged 48). Many of his works are in museum collections, though not necessarily on view. A biographical note can be linked here.

Although he was capable of good draftsmanship, McEvoy often wound up doing convincing faces while dithering with his brush over the remainder of the canvas. He painted in watercolor as well as oil, but the images shown below are all oil paintings.

Gallery

Bessborough Street, Pimlico - 1900
I've waked along Bessborough Street a number of times. But that was a hundred years or so after this was painted. I know that some newish buildings are nearby, but can't remember whether or not I saw those pictured here.

Cottages at Aldbourne - 1915
Besides cityscapes, McEvoy painted landscapes such as this, an interesting mix of solidity and Impressionism.

Gwen John - ca. 1900
Augustus John's older sister and an artist in her own right. McEvoy and Augustus were friends and presumably he was a friend of Gwen as well.

Winston Churchill - ca. 1911-15
Painted while Churchill was First Lord of the Admiralty.

Harry George Hawker
The aircraft designer who was killed in a plane crash in 1921.

Seated Nude - ca. 1920
An informal work where McEvoy was playing around with colors.

Viscountess Cranborne
Only the face and, oddly, the left shoe are well-defined here.

Miss Jeanne Courtauld - ca. 1926
For some reason this painting is in the Courtauld collection. Her left shoulder needs to stand out a trifle better to make the neck area read correctly.

James Ramsay MacDonald - 1926
Future Labour Prime Minister.

Elizabeth Johnson - ca. 1920
I perhaps like this best of McEvoy's portrait paintings. Probably something to do with the treatment of the face and his use of color. But there's something wrong with the shape of the hair and its lack of shading on the face.

Molti Ritratti: Kaiserin Elisabeth von Österreich

Kaiserin Elisabeth von Österreich can be translated as Empress Elisabeth of Austria. And to be fully pedantic, in 1867 she became empress of the Austro-Hungarian Empire. Elisabeth (1837-1898), was the beautiful, uncomfortable, Bavarian consort to Emperor Franz Josef, and she came to a tragic end as the near-random target of an assassin, all of which is presented in detail here.

The empire vanished in the wake of the Great War, but Elisabeth (or "Sisi" as she is popularly called) remains the subject of great interest in Austrian and perhaps Hungary as well. I was in Vienna around the time of the centenary of her death, and saw plenty of souvenir images of her, including Sisi chocolates, that nearly rivaled the usual similar items for Mozart.

Although Elisabeth lived in the age of photography, her station in life made it imperative that painted portraits of her were made. Some of these are shown below.

Gallery

Let's begin with photographs of the young Elisabeth to set the scene.

Photo taken on the day of her coronation as Queen of Hungary, 8 June 1867

Another photo

Now for a few paintings by unknown or lesser-known artists.

By unknown artist

By Amanda Bergstedt - 1855
When Elisabeth was about 18 years old, not long after she married Franz Josef.

By Georg Martin Ignaz Raab

By Hans Bitterlich

By Franz Schrotzberg

By Leopold Horovitz - 1899
Probably posthumous.  This, and several of the portraits below are dated the year of her death or the year after, and were likely derived from photographs in tribute to the departed empress.  Let us know in a comment if any of these "posthumous" works were actually painted from life.

Now for portraits by noted artists.

By Franz Xaver Winterhalter - 1864
An informal (private) portrait treasured by Franz Josef.  This shows her famous, (obsessively?) long hair.

By Franz Xaver Winterhalter - 1865

By Franz Xaver Winterhalter - 1865

By Friedrich August Kaulbach - "Kaiserin Elisabeth auf Korfu" (klein pastell nach 1898)
A possibly posthumous pastel portrait by the noted Munich portrayer of Bismarck and others.

By Philip de Laszlo - 1898-99
Another possibly posthumous portrait, this by the important Hungarian portrait painter who later was very successful in England.

By Gyula Benczúr - 1899
Yet another likely posthumous portrait. Benczúr was a leading Hungarian artist whose worth was recognized in Bavaria and Italy as well, but not so much beyond that part of Europe.

John Berkey Paints a Cadillac

A few years ago on this blog I wondered if John Berkey was the best illustrator of space ships. Along with science-fiction book covers, Berkey also did more conventional illustration. A skimpy Wikipedia entry is here and a website devoted to his art is here.

Not long ago I was mousing through the web and came across two studies by Berkey that were up for sale. They looked oddly familiar, and then I realized that they were preliminary art for the cover of a 1976 book I've owned for nearly 40 years. Since the cover art wasn't of a space ship, I never connected it with Berkey. But I flipped to the back flap and, sure enough, John Berkey was listed as the artist.

The subject is a 1930 or 1931 Cadillac V-16 Town Brougham by Fleetwood shown sitting in front of the Plaza Hotel in New York City.

Below are Berkey's studies along with a scan I made of the cover. To enlarge, click on the images.

Gallery

This seems to be an earlier study. It's fairly sketchy.

This study is closer to the final version. The car has reversed its direction and now includes a chauffeur as well as greater detail of other elements.

Scan of the book cover.

Will Bradley: Master Poster Artist

The Art Nouveau era from roughly 1890 to near the time of the Great War was a high point for poster design, in my opinion. Laurtrec, Jules Cheret, Maxfield Parrish, Alphonse Mucha and others created designs for posters and magazine covers (a closely related field) that remain popular works of art. Perhaps the leading American poster artist in that era was Will H. Bradley (1868-1962), the subject of this post.

A brief Wikipedia entry on Bradley is here, a link with more detail and plenty of images is here, and a chronology of his life can be found here. He had a long career that involved art direction as well as creating artwork.

Bradley was essentially self-taught, learning his trade on the job. The images below are mostly or entirely from the late 1890s. If I eventually find enough interesting illustration art from later in his career, I'll post on that.

Gallery

Chapbook cover - Nov. 1895
Plenty of Art Nouveau swirls here.

Inland Printer cover - February 1895
This has more of an Art & Crafts feeling.

Springfield Bicycle Club poster - 1895
Although motor cars existed in 1895, bicycling had become popular due to the invention of the bicycle chain drive.

Bradley, His Book - 1896
A faint hint of Aubrey Beardsley here.

Victor Bicycles poster - 1899

When Hearts Are Trumps
This seems strongly influenced by Beardsley.