Thursday, November 10, 2016

Vanished and Vanishing New York: 1960s Photos

New York City has been demolishing its past and rebuilding since it was established by the Dutch in 1624. Recent decades have seen successful efforts to preserve buildings that otherwise might have been destroyed.

This post is a photo essay showing some photos I took in April of 1962 when I was stationed at Fort Slocum (also gone), the summer of 1963 when I was at Fort Meade, Maryland, and in June of 1965 when I was gathering information for my Masters thesis. Perhaps some readers who are New York fans might appreciate them.

Gallery

Art Students League, West 57th Street (1962)
The building still exists, but overshadowed and overhung by a large modern tower, as this Observer article reports.

Columbus Circle, Gallery of Modern Art under construction (1962)
Millionaire Huntington Hartford favored a more traditional variety of modern art, so he had this building created to display it. The exterior was sheathed in marble, but only bits were in place when I photographed it. Edward Durell Stone was the architect. I visited it once, and all I remember was that it seemed cramped. The museum closed in 1969 and this explains what happened since. Yes, that's the Empire State Building at the left, sighted down Broadway.

Savoy Plaza Hotel (1963)
It's the building to the right. This isn't a good photo and many fine ones can be found on the internet. I include it because it's mine. The hotel was replaced by the large, nondescript, General Motors Building. The tall building is the Sherry-Netherland hotel-plus-apartments that still stands. The Savoy Plaza Wikipedia entry is here.

Singer Building (1963)
This was for a short while (1908-09) the tallest building in the city. It was demolished by taking it apart bit-by-bit in 1968. Its tall shaft was capped by the slightly bulbous top pictured here.  It never looked right to me. More information is here.

Tribune Building (1962)
During the late 1800s some newspaper offices clustered near City Hall, and the Tribune was one of them. The building by Richard Morris Hunt was completed in 1875 and demolished in 1966. More information is here.

Subway entrance/exit, Park Avenue South & East 28th Street (1963)
This is what subway entrances often looked like early in the 20th century. They were disappearing when I made a point of taking this picture. The drab-looking neighborhood has been gentrified, if Google street views are any guide.

42nd Street, west of Times Square (1965)
This stretch of 42nd Street has been spruced up a little in recent times. Fifty years ago it was more gritty, as can be seen here. Those movie theaters were second-run houses. When a movie had its initial run, it would be seen around the corner in Times Square on Broadway or Seventh Avenue. When attendance fell off, the film would move to a house on 42nd where prices were lower and affordable for people with limited entertainment budgets. Back in those pre-internet days, one way of telling the commercial success of a movie was to take note of how long it lasted in Times Square before it went to 42nd.

Railroad yard revealed below new construction, Park Avenue (1965)
The Wikipedia entry on Park Avenue mentions that the street is partly built over railroad tracks. In my New York days, the New York Central and New Haven lines came down Park and then around 50th Street fanned out to Grand Central Terminal's gate system. The photo was taken while construction was getting underway at 299 Park Avenue, the Westvaco Building, as it was first called. The link mentions that the tracks under the building site were those of the New Haven. Since not many buildings are built along this stretch of Park, my camera captured a rare sight.

Ziegfeld Theatre (1965)
The Ziegfeld Theatre designed by Joseph Urban opened in 1927 and was demolished in 1966 as this Wikipedia entry reports. When my photo was taken it was clearly on its way out. So, like the subway entrance above, I made sure to photograph it.

Monday, November 7, 2016

The Layered World of Sergio Cerchi

I really need to see an actual painting by Florentine artist Sergio Cerchi to be sure of what he's doing. This site suggests that his paintings are built atop collections of panels. But just looking at images of the on the internet, I can't rule out the possibility that those seeming panel edges are simply lines painted on a normal artists' canvas.

Another difficulty I'm experiencing with this post is that information regarding Cerchi on the internet is almost nil. For instance, nowhere have I found his birthdate. What we know is that he has spent all or nearly all his life, training and career in Florence and that he has a strong interest in music as well as art. Here is his own web site. It's a bit hard to navigate, but clicking on his photo leads to a brief self-statement. Otherwise, there are many examples of his work.

Cerchi interests me because he seems knowledgeable about history and art history. Plus, he is skilled at depicting people and giving them a sense of psychological mystery in many cases. His use of rectangular elements is quirky, but adds additional interest for the viewer. Also, many of his works are square, often having a one-meter format, the same as Gustav Klimt used for his Attersee landscapes.

Gallery

Appuntamento

Il Drago

Quixote II

La Passeggiata

Samurai

Diana

Eva

Leda

Ventaglio II

Butterfly

Cielo

Thursday, November 3, 2016

New York City People: 1965

During the 1960s, rigid following of women's clothing and grooming fashions began to fall away. I find it fairly easy to guess the approximate dates of when photos taken in the years from around 1910 until about 1960, even if there were no cars in the background to refine my analysis. But after 1960, it isn't at all that simple.

Yes, the current scene of casual clothing with plenty of dominant logotypes is different from what one saw 50 years ago, but not by all that much. Today, 50-year-old scenes don't strike me as old-fashioned  seeming as 50-year-old scenes did in 1966 -- or 100-year old scenes do today (the same scenes, of course, from 50 years farther out).

Below are photos I took of people in New York City in June of 1965. While the subjects do not appear totally modern, they are close enough that they can be seen as simply people, and not participants in a retro costume party.

Gallery

Tourists on Sixth Avenue.

Women on Fifth Avenue, Rockefeller Center in background.

Women near Sixth Avenue.

Passing out pamphlets, Fifth Avenue & 49th Street.

Window shopper, East 49th Street.

Vendor, Downtown Manhattan.

Vendor, Sixth Avenue & 51st Street.

Carriages at the Plaza.  The building at the left across Fifth Avenue is the Sherry-Netherland, at the right is the Savoy Plaza.

Unloading a Cadillac, Central Park South.

Masked girls crossing Madison Avenue for some unknown purpose.

Monday, October 31, 2016

Cyrus, the Senior Cuneo

Cyrus Cincinnati Cuneo (1879-1916) died young from a freak accident: blood poisoning from a hatpin prick at a dance.

At the time, he was a successful illustrator and painter based in England. Today he might be better known as being the father of Terence Cuneo, a beloved and honored British illustrator.

But he wasn't British by origin. Cyrus (or "Ciro" as he was called) was born in San Francisco to Italian immigrants, growing up in the North Beach part of town. He became a boxer to help support himself while studying art in Paris where he greatly impressed James McNeill Whistler, one of his teachers. A biographical note is here, and a PDF with useful information is here.

Cuneo was versatile, as can be seen in the collection below.

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Illustration from a book of A.J. Raffles stories by E.W. Hornung

Canadian trapper attacked by wolves
Cuneo spent some time in Canada, mostly doing artwork for Canadian Pacific.  This illustration might be for a fiction piece.

Frontispiece for "The Air Patrol" by Herbert Strang (pseudonym)

The Sinking of the Gneisenau
This looks like an Illustrated London News sort of illustration. The Gneisenau was a German cruiser, part of Admiral von Spee's fleet that was mostly destroyed by the British in the Battle of the Falklands, 8 December 1914.

Japanese Tea Garden
Now for a change of pace from book and magazine illustration ...

The Picnic

Nell Marion Tenison - the artist's wife

The Diners - 1913

Arriving at the Ball

Thursday, October 27, 2016

Edmund F. Ward

Edmund Franklin Ward (1892-1990) was not as famous as some other illustrators during the 1890-1960 heyday of American magazine illustration. But he was competent and had his successes, especially in the 1920s.

Ward's brief Wikipedia entry is here and other links touching on his career are here and here.

As can be seen below, his 1920s style is similar to that of contemporary illustrators such as Dean Cornwell who painted in thick oils. As many other illustrators did, Ward altered his style and media to go along with changing illustration fashion. One result of this is that there is no distinctive Ward style.

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Dean Cornwell illustration - 1919
Compare the 1920s illustrations by Ward below to this Cornwell.

Trouble on the Trail - 1923

The Stowaway - The Kelly Collection - 1924

We Mean Business - Kelly Collection - 1924

Egyptian vignette - 1923
Vignette format illustration was common for secondary story illustrations. The lead illustration might have conventional rectangular borders, but others in the same magazine piece or illustrations in later issues containing other parts of the same, continuing story might be vignetted.

Vignette - story illustration

Vignette- story illustration

Vignette - Saturday Evening Post story illustration

Caught in the Act
This possibly unfinished illustration or study was made around the mid-1930s. Note that the green hat in the mirror is not that same shape as the one in the foreground.

Thunder on the Plains - This Week magazine, February 1936
Here we see a change to watercolor or perhaps colored inks.

GE Lamps advertisement - 1946
An example of Ward's postwar work.

Monday, October 24, 2016

Albert Guillaume at the Theatre

Albert Guillaume (1873-1942) was a French illustrator and painter with a satirical mindset. His Wikipedia entry is here.

Guillaume usually poked fun at the haute bourgeoisie, so for this post I decided to present some of his works dealing with the theatre.

Gallery

Musique savante
The music lover seems inspired, but I'm not so sure about the others nearby.

La Loge au théâtre
He tended to depict pretty younger women with older men, so maybe there was a good deal of that during the Belle Époque and later.

Les admiratrices (Lucien Guitry dans sa loge) - 1922

Private opera box
A group utterly fixated on what's happening on stage.

Au theatre - 1920s

Les retardataires
The performance of the late arrivals.