But Venice declined and its independence was finally snuffed out by Napoleon. So when we think of Venice, it is the city itself, which has been losing population for a long time and is now down to around 60,000. With such a small population base and its cadre of potential art patrons largely eliminated, it shouldn't be surprising that not many well-known Venice artists have turned up during the past couple of hundred years. One of the few exceptions to this dreary trend seems to have been Ettore Tito (1859-1941) who, as his Wikipedia entry indicates, spent most of his life in Venice.
I have to admit that I wasn't aware of Tito until recently, though I might have passed by some of his paintings while visiting art museums in Florence and Rome (the one time I went to Venice's Galleria dell'Accademia, it was closing early for a staff meeting!?!). This means I can't vouch that Tito's paintings are impressive when viewed in person. But they do look pretty good when seen on a computer screen, so let's take a look.
La fa la modela - 1884
Raggi di sole - 1892
Bolla di sapone - 1894
Chioggia - 1898
San Marco - 1899
Dopo la piaggia a Chioggia - 1905
La signora Pellegrini - 1910
Descent from the cross - 1911
Le Ondine - 1919
La contessa Malacrida - 1926
I maestri veneziani - 1937
This pays homage to the great painters from Venice.
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