For some reason, blobs with bent shapes were considered the height of modernity in the late 1940s and into the 1950s. One possibility is that Surrealist paintings of the 1930s served as inspiration. Other possibilities exist, and I'm not yet prepared to research the origin of their use.
What we do have is yet another example of fashion, a collective set of appearance preferences that can fairly easily be associated with a given period of time. This is true for clothing, architecture, furniture, illustration and fine-art painting. Which is why it is often easy to identify something as being "very 1920s" or whatever. And why current preferences are doomed to become quaint artifacts of past times.
Below are images related to the circa-1950 amoeba fashion that I gathered here and there on the Internet. Any copyrighted material is duly acknowledged.
A publicity photo. The surface of the counter top is probably in Formica or a similar product, but not in a Boomerang pattern.
This is probably from the early-to-mid 1950s; the Boomerang name wasn't introduced until mid-decade, though there was overlap in name usage, as is indicated in the image below.
The top surface has a Boomerang pattern or something pretty similar.
The artist is Ben Cunningham of Nevada. Note especially the ochre blob at the bottom.
The coffee table has a rounded-off, non-rectangular top shape. Typical of 1950s furniture design are the thin legs of chairs, tables, and such. The idea was to achieve the appearance of lightness -- a reaction to heavy furniture of Victorian times and ensuing decades.
Wow, this takes me back! I remember the sets of formica samples on a ball chain my carpenter dad used to have.
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