Which leads me to the recent (3 July 2014 - 11 January 2015) exhibition at the Honolulu Museum of Art titled "Art Deco Hawaii" that I was able to visit a few days before it closed. There were some pieces of sculpture and some print items, but much of what was on display was paintings -- some were illustration art, others were fine arts images.
To me, Art Deco (a term retrospectively coined by Bevis Hillier in the late 1960s) is primarily an ornamentation style in architecture and graphic arts, secondarily a sculpture genre, and sometimes a variety of mannered illustration. As mentioned, not much in the way of paintings, though that's what the exhibit featured.
So-called Art Deco paintings fall into the category of simplified representation that was common between the two world wars. That is, aspects of pre-Great War modernism were incorporated in an effort to come to terms with modernism without going whole-hog. I deal with this in my e-book "Art Adrift" mentioned on this blog's sidebar. And that was pretty much what I saw: typical 1920s and 1930s paintings with little true Art Deco spirit. Nevertheless, I enjoyed my visit. Below are some images from the Internet along with some photos (a few are cropped slightly) that I took.
Eggleston was an illustrator who seemed to specialize in pretty girls. I mention one of his travel posters here.
Information on Foley (1909-2010) is here. Her style is that often seen in the 1930s, reminding me of the work of Mexican muralists active in those days.
Riggs was a leading illustrator in his time. David Apatoff wrote about him here. I didn't know that he dabbled in fine arts, so was surprised to spy this lithograph.
Manookian (1904-1931) was born in Turkey, received his art education in the USA, served in the Marine Corps in the 1920s, practiced commercial and fine arts in Hawaii and then killed himself. More biographical information is here. According to the link, he didn't make many paintings over his brief career, and they are seldom shown publicly. So I was fortunate that several were on display. I consider the one above to be amongst his better ones.
This was one of a set of murals that Savage (1883-1978) was commissioned to paint by the Matson Navigation Company, whose liners carried tourists and others between San Francisco and Honolulu for many decades. The murals were intended to be placed on the liners, but World War 2 intervened and the artwork wound up being reproduced on ships menus and such. Matson still owns the original murals, but large reproductions can be found in places such as Honolulu's Royal Hawaiian Hotel (once owned by Matson). I was pleased to be able to finally view the original artwork.
Savage's Matson murals are crammed with detail, but that's the norm for mural paintings. His Hawaiians don't look very Hawaiian to me, but that really doesn't matter because Savage was trying to create evocations rather than documentation. An oddity in some of the murals is one figure staring out at viewers, as if caught by a camera. (Note the fellow towards the left side.) The paintings featured here include groups of females holding identical poses, which is a decorative characteristic of Art Deco.
Click to enlarge the two detail photos for a closer look at Savage's brushwork.