An early painting influenced by what he saw in Italy.
Free brushwork, aside from the face.
The flowers stand out, the rest is flat.
Some color overlays here along with plenty of visible brushwork.
I wonder if she was Hermans' pretty neighbor.
Modern-dress Ulysses episode.
This is the most modernist-influenced of the images shown here; sketchy background, but more carefully painted foreground subjects.
Hermans' career breakout painting depicting the morning after a ball or similar event.