Herrán was an almost exact contemporary of Diego Rivera, a more famous -- but lesser, in my opinion -- painter. One wonders whether Herrán would have evolved his subjects and style in the direction of Rivera, Orozco, Siqueros and others whose careers spanned the 1930s and often dealt with political subjects.
As it was, his style apparently was influenced by Frank Brangwyn and, to my mind, is similar to many of George Washington Lambert's works. Herrán was an excellent draftsman and his paintings include lines that help define his subjects. In a word, it can be called muralistic. But then, he also painted murals, so it all makes sense.
El rebozo - 1916
A study for the paintings below.
La criolla del rebozo
El Ciego - blind man - 1914
La criolla del mantón - 1915
Girl with Calabaza - 1917
La dama del mantón - his wife
La criolla del mango
La cosecha - 1909
La ofrenda - 1913
1 comment:
I would definitely agree that Harran was a better technician and composer then Rivera, but in the end paintings and murals are about communicating ideas. And IMO Rivera had the better and more universal ideas then Harran. Of course who knows where he would have gone with another 40 years. Love them both!
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