Edmund Dulac (1882-1953) was yet another artist who abandoned a professional career track (law, in his case) for art. He also left his native country (France) for another (England) where he became a noted book illustrator. His Wikipedia entry is
here, but a much more useful source for art fans is
this post by Jim Vadeboncoeur that offers insights regarding how changes in printing technology worked to Dulac's advantage.
It seems that Dulac's book illustration heyday was between 1905 and the start of the Great War -- a relatively short span. His career continued with moderate success until his death.
Those heyday illustrations were mostly for classical fantasies, often Orientalist subjects. They are charmingly done, though today's Politically Correct crowd would probably find their usual reasons to hate them.
Take a look at some of them below, if you dare.
Gallery
Circe the Enchantress
The Emperor's New Clothes
From the Rubaiyat of Omar Khayyam
"Open, Sesame!"
The Fisherman and the Genie
Princess Scheherazade
2 comments:
I agree that modern abstract art needs to be put in a diminished position. What will history think of this sort of art? Not much I think. Thanks for posting the delightful paintings of Edmund Dulac.
Of course one of these pictures actually depicts Mohammad, which is forbidden by the faithful. Stay safe.
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