According to the biography by Alex Danchev, Braque was pretty much the opposite of Picasso when it came to personality and approach to art. Braque was a quiet Zen-like soul, stayed married to the same woman, and painted like a careful craftsman rather than a too-wildly "creative" native of Málaga by way of Barcelona.
As best I can tell, Braque was always a Modernist of one kind or another. If he ever drew or painted in a strictly representational manner, evidence of that seems to have been lost or destroyed. However, once his Cubist phase ended and his recovery from a serious Great War wound was completed, Braque did introduce recognizable objects to his paintings, albeit in distorted fashion.
A few paintings from the last ten years of his life are presented below.
La guitare (Mandore, La Mandore) - 1909-10
This Cubist painting is to remind viewers of what Braque is famous for.
Studio VIII - 1954-55
This item from a series was snapped up by modernist art collector Douglas Cooper.
Les oiseaux - Louvre, Salle Henri II - 1953
Braque was the first Modernist invited to tart up a Louvre ceiling. Not quite as inappropriate as Chagall's re-do of the Opera Garnier ceiling, but still....
L'oiseau noir et l'oiseau blanc - 1960
He make many paintings featuring birds in this last years. This was after a series featuring (usually black) fish.
The Weeding Machine - 1961-63
Perhaps his final painting.
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