There were four paintings on display by Felice Casorati (1883-1963) that caught my eye:
Casorati seems to have briefly experimented with with soft-care Modernism.
This has been cited as his most famous work.
The final two portraits are cool (as in "dispassionate," not the slang term referring to "good") in several ways. The poses are formal, the subjects seated and facing the painter and viewers. The subjects' poses are essentially symmetrical, though the settings are not. The subjects' faces show no emotion. Critics pointed out this sort of thing at the time, but Casorati shrugged the criticism off, commenting that, in effect, he was doing what he thought he should be doing.
Here are a few more portraits made during that phase of his career:
Casorati's style changed over his career, as can be seen in the first set of images. Perhaps I'll present more of his work later.