His strongest influence seems to have been Giorgio de Chirico, and therefore his works have been variously classed as Magic Realism, Metaphysical Art or Surrealism ... the terms can overlap.
As can be seen below, Delvaux usually included women, often unclothed, in his paintings. Men, if they appeared, were normally fully dressed. Settings were often at dusk or night, usually in towns or cities. Generally his subjects are static, no action shown and little implied. People and other subjects are slightly simplified and distorted. In sum, what the viewer sees is clearly not quite real.
La joie de vivre - Joy of Life - 1937
La rue du tramway - Street of Trams - 1938-39
Phases of the Moon - 1939
Loneliness - 1956
Toutes les lumieres - All the Lights - 1962
Petitie place de gare - Small Square Train Station - 1963
Les ombres - Shadows - 1965
The Retreat - 1973
Robe de mariƩes - Wedding Dress - 1976
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