His painting style was conventionally representational. Moreover, he was skilled at portraying settings -- details, lighting, coloring and the rest. Subject matter varied. Some scenes were serious while some others were humorous.
In sum, I find Rosenthal highly competent, yet hard to pin down compared to contemporaries whose individuality was stronger and more consistent over their careers.
Woman with Parasol
I can't quite read the writing at the lower right, so will assume for now that this was from early in his career.
The Beautiful Elaine - 1874
Apparently this painting was well-received when it traveled to America.
He Who Laughs Last - 1876
The left half of a diptych, the other titled "Who Laughs Last" showing the young man at the right sprawled after slipping.
Nude Seen from Rear - c. 1880
Sleeping Cardinal (The Cardinal's Portrait) - 1896
An amusing scene. Note the skillful depiction of the setting's details.
View Through a Window, Landsberg, Germany - c. 1900
Not that it matters here, but the prison in Landsberg was where Hitler was jailed following the Munich "Beer Hall Putsch" and wrote "Main Kampf."
His Madonna - 1916
A late painting, still done in conventional style. Apparently Rosenthal was able to ignore Impressionism and all the modernist "isms" of the early 20th century.
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