Korovin's stylistic sketchiness seemed to kick into a higher gear following his move to France in 1923. Perhaps this had to do with the need to quickly produce paintings to bring in money. Or maybe it had to do with Paris being an avant-garde artistic place (though the same might be said for Russia, especially in the early post-Revolution years). Or it could have been that this was his natural artistic trajectory as he continued to gain maturity and experience. And, possibly, this looser style was what the Paris art market wanted, so he supplied it.
Below are examples of Korovin's work. I essentially skipped over his earlier landscape paintings, but they and others can be found by Googling.
At the Window - 1893
Arkhangelsk - 1894
Russia's main White Sea port.
On the Balcony, Spanish Women Leonora and Ampara - 1897–98
Portrait of Ivan Morosov - 1903
Morosov was an art collector.
Portrait of Fyodor Chaliapin - 1911
The famed opera singer.
A Ballerina in Her Boudoir -1923
At the Window - 1923
By the Window
A Night in Paris
Café de la Paix - 1920s
Paris scene - c. 1930
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