Despite -- or perhaps because -- Surrealism having entered middlebrow American culture by the early 1940s (several movies had Surrealist "dream sequences") avant-garde painters in the USA moved on to various kinds of abstract art after World War 2.
So did Ernst, though his post-surrealist paintings are not as well known as his Dada and Surrealism. Some examples of his later paintings are below.
Napoleon in the Wilderness - 1941
An example of Ernst's Surrealism.
A Sunny Afternoon - 1957
Migration - 1963
A Double Life - 1964
Homage to Velazquez - 1965
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