As might be expected, I don't find his post- Great War Cubist-influenced Expressionism particularly interesting compared to his Impressionist-influenced earlier work. De Smet was essentially a creature of his time, following various style fads about a decade or two after they had reached their peak influence.
Still Life with Apples
I don't have a date for this, but if I had to guess, I'd say it was made in 1910 or before.
Willows Along a Stream - 1912
One of his Impressionist style paintings. Like American Impressionists, De Smet defined the subject matter more distinctly than Uber-Impressionist Claude Monet did.
Vrouw bij Rozelaar (Woman with Roses) - 1912
Although the painting is fairly "flat," the structure behind the women is in reasonably correct perspective.
Summer - 1913
Perhaps De Smet's nicest painting. After it, his work went downhill.
Hoofd van een jonge vrouw (Head of a Young Woman) - 1914
A year later, elements of modernist-inspired distortion enter the scene: note the enlarged eyes.
Artiste et sa femme, Deurle (The Artist and His Wife at Deurle) - 1927
Cubism-lite.
L'homme à la boutelle (Man with Bottle)
The was painted around 1930.
Le port d'Ostende (Port of Ostende)
Compared to "Summer," this is pathetically childlike.
Boerenerf met koeien (Barnyard with Cows) - 1936
This is typical of De Smet's late style.
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